The term environmental art is used in two different contexts: it can be used generally to refer to art dealing with ecological issues and/or the natural, such as the formal, the political, the historical, or the social context. Depending upon how you look at its definition, earlier examples of environmental art stem from landscape painting and representation. When artists painted onsite they developed a deep connection with the surrounding environment and its weather and brought these close observations into their canvases. John Constable’s sky paintings “most closely represent the sky in nature.” Monet’s London Series also exemplifies the artist’s connection with the environment “For me, a landscape does not exist in its own right, since its appearance changes at every moment; but the surrounding atmosphere brings it to life, the air and the light, which vary continually for me, it is only the surrounding atmosphere that gives subjects their true value." It is possible to trace the growth of environmental art as a "movement", beginning in the late 1960s or the 1970s. In its early phases it was most associated with sculpture—especially Site-specific art, Land art and Arte povera—having arisen out of mounting criticism of traditional sculptural forms and practices which were increasingly seen as outmoded and potentially out of harmony with the natural environment. Wikipedia [ - ]

The term environmental art is used in two different contexts: it can be used generally to refer... [ + ]