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  • The White Goddess: a Historical Grammar of Poetic Myth is a book-length essay on the nature of poetic myth-making by author and poet Robert Graves. First published in 1948, the book is based on earlier articles published in Wales magazine, corrected, revised and enlarged editions appeared in 1948, 1952 and 1961. The White Goddess represents an approach to the study of mythology from a decidedly creative and idiosyncratic perspective. Graves proposes the existence of a European deity, the "White Goddess of Birth, Love and Death," much similar to the Mother Goddess, inspired and represented by the phases of the moon, who lies behind the faces of the diverse goddesses of various European and pagan mythologies. Graves argues that "true" or "pure" poetry is inextricably linked with the ancient cult-ritual of his proposed White Goddess and of her son. Many of the book's themes are also explored in a fictional form, through his depiction of a future society dominated by Great Goddess religion in the 1949 novel Seven Days in New Crete.

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