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  • The String Quartet No. 15 by Robert Simpson was composed quickly in the summer of 1991 and dedicated to the Vanbrugh Quartet who had developed growing association with Simpson's later chamber music. This work is cast in one continuous movement and is relatively short. The overall mood is tough and turbulent and, as with much of Simpson's later work, the chief roots are a collection of intervals - a minor seventh and a sequence of falling minor seconds dominating. Another feature of this work is that most of the phrases proceed in contrary motion to another instrument. The opening Adagio acts as an austere and brief introduction, moments of extreme tension contrasting with gently flowing counterpoint, with minor sevenths being particularly prominent. The opening goes headlong into the extended part of the work, a large scale Severo based on a variant of the quartet's opening theme. The intensity and severity is sustained for a considerable period of time until a hushed section emerges, building up to a harsh passage of sevenths piled on top of each other before subsiding to another buildup that gradually increases in volume.

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