| 1 |
/m/02pncjj
Tom Priestley |
/award/award_winner
|
2010-03-08T18:35:50.0000Z
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| 2 |
/m/0b7pl8f
cvt |
/m/01fdcx
Morgan: A Suitable Case for Treatment
|
2010-03-08T18:35:49.0006Z
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| 3 |
/m/0b7pl8f
cvt |
/award/award_honor
|
2010-03-08T18:35:49.0005Z
|
| 4 |
/m/0b7pl8f
cvt |
1966
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2010-03-08T18:35:49.0004Z
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| 5 |
/m/0b7pl8f
cvt |
/m/02qyntr
BAFTA Award for Best Editing
|
2010-03-08T18:35:49.0003Z
|
| 6 |
/m/0b7pl8f
cvt |
/m/02pncjj
Tom Priestley
|
2010-03-08T18:35:49.0002Z
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| 7 |
/m/0b7pl8f
cvt |
/boot/all_permission
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2010-03-08T18:35:49.0001Z
|
| 8 |
/m/0b7pl86
cvt |
/m/07cdz
The Graduate
|
2010-03-08T18:35:45.0006Z
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| 9 |
/m/0b7pl86
cvt |
/award/award_honor
|
2010-03-08T18:35:45.0005Z
|
| 10 |
/m/0b7pl86
cvt |
1968
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2010-03-08T18:35:45.0004Z
|
| 11 |
/m/0b7pl86
cvt |
/m/02qyntr
BAFTA Award for Best Editing
|
2010-03-08T18:35:45.0003Z
|
| 12 |
/m/0b7pl86
cvt |
/m/03nqbvz
Sam O'Steen
|
2010-03-08T18:35:45.0002Z
|
| 13 |
/m/0b7pl86
cvt |
/boot/all_permission
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2010-03-08T18:35:45.0001Z
|
| 14 |
/m/05y5zr
Hugh A. Robertson |
/award/award_winner
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2010-03-08T18:35:44.0032Z
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| 15 |
/m/0b7pl7z
cvt |
/m/0bl1_
Midnight Cowboy
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2010-03-08T18:35:44.0031Z
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| 16 |
/m/0b7pl7z
cvt |
/award/award_honor
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2010-03-08T18:35:44.0030Z
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| 17 |
/m/0b7pl7z
cvt |
1969
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2010-03-08T18:35:44.0029Z
|
| 18 |
/m/0b7pl7z
cvt |
/m/02qyntr
BAFTA Award for Best Editing
|
2010-03-08T18:35:44.0028Z
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| 19 |
/m/0b7pl7z
cvt |
/m/05y5zr
Hugh A. Robertson
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2010-03-08T18:35:44.0027Z
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| 20 |
/m/0b7pl7z
cvt |
/boot/all_permission
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2010-03-08T18:35:44.0026Z
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| 21 |
/m/0k83_w
Richard C. Meyer |
/award/award_winner
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2010-03-08T18:35:44.0024Z
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| 22 |
/m/0jvhq7
John C. Howard |
/award/award_winner
|
2010-03-08T18:35:44.0023Z
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| 23 |
/m/0b7pl7n
cvt |
/m/0p9tm
Butch Cassidy and the Sundance Kid
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2010-03-08T18:35:44.0022Z
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| 24 |
/m/0b7pl7n
cvt |
/award/award_honor
|
2010-03-08T18:35:44.0021Z
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| 25 |
/m/0b7pl7n
cvt |
1970
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2010-03-08T18:35:44.0020Z
|
| 26 |
/m/0b7pl7n
cvt |
/m/02qyntr
BAFTA Award for Best Editing
|
2010-03-08T18:35:44.0019Z
|
| 27 |
/m/0b7pl7n
cvt |
/m/0k83_w
Richard C. Meyer
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2010-03-08T18:35:44.0018Z
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| 28 |
/m/0b7pl7n
cvt |
/m/0jvhq7
John C. Howard
|
2010-03-08T18:35:44.0017Z
|
| 29 |
/m/0b7pl7n
cvt |
/boot/all_permission
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2010-03-08T18:35:44.0016Z
|
| 30 |
/m/0jvhg3
Richard Marden |
/award/award_winner
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2010-03-08T18:35:44.0014Z
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| 31 |
/m/0b7pl7d
cvt |
/m/08vd2q
Sunday Bloody Sunday
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2010-03-08T18:35:44.0013Z
|
| 32 |
/m/0b7pl7d
cvt |
/award/award_honor
|
2010-03-08T18:35:44.0012Z
|
| 33 |
/m/0b7pl7d
cvt |
1971
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2010-03-08T18:35:44.0011Z
|
| 34 |
/m/0b7pl7d
cvt |
/m/02qyntr
BAFTA Award for Best Editing
|
2010-03-08T18:35:44.0010Z
|
| 35 |
/m/0b7pl7d
cvt |
/m/0jvhg3
Richard Marden
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2010-03-08T18:35:44.0009Z
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| 36 |
/m/0b7pl7d
cvt |
/boot/all_permission
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2010-03-08T18:35:44.0008Z
|
| 37 |
/m/0b7pl75
cvt |
/m/0pd64
The French Connection
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2010-03-08T18:35:44.0006Z
|
| 38 |
/m/0b7pl75
cvt |
/award/award_honor
|
2010-03-08T18:35:44.0005Z
|
| 39 |
/m/0b7pl75
cvt |
1972
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2010-03-08T18:35:44.0004Z
|
| 40 |
/m/0b7pl75
cvt |
/m/02qyntr
BAFTA Award for Best Editing
|
2010-03-08T18:35:44.0003Z
|
| 41 |
/m/0b7pl75
cvt |
/boot/all_permission
|
2010-03-08T18:35:44.0001Z
|
| 42 |
/m/06w1f4q
Ralph Kemplen |
/award/award_winner
|
2010-03-08T18:35:43.0035Z
|
| 43 |
/m/0b7pl6x
cvt |
/m/02pj4ds
The Day of the Jackal
|
2010-03-08T18:35:43.0034Z
|
| 44 |
/m/0b7pl6x
cvt |
/award/award_honor
|
2010-03-08T18:35:43.0033Z
|
| 45 |
/m/0b7pl6x
cvt |
1973
|
2010-03-08T18:35:43.0032Z
|
| 46 |
/m/0b7pl6x
cvt |
/m/02qyntr
BAFTA Award for Best Editing
|
2010-03-08T18:35:43.0031Z
|
| 47 |
/m/0b7pl6x
cvt |
/m/06w1f4q
Ralph Kemplen
|
2010-03-08T18:35:43.0030Z
|
| 48 |
/m/0b7pl6x
cvt |
/boot/all_permission
|
2010-03-08T18:35:43.0029Z
|
| 49 |
/m/02pj4ds
The Day of the Jackal |
/award/award_winning_work
|
2010-03-08T18:35:43.0027Z
|
| 50 |
/m/0b7pl6m
cvt |
/m/0hmm7
The Conversation
|
2010-03-08T18:35:43.0026Z
|
| 51 |
/m/0b7pl6m
cvt |
/award/award_honor
|
2010-03-08T18:35:43.0025Z
|
| 52 |
/m/0b7pl6m
cvt |
1974
|
2010-03-08T18:35:43.0024Z
|
| 53 |
/m/0b7pl6m
cvt |
/m/02qyntr
BAFTA Award for Best Editing
|
2010-03-08T18:35:43.0023Z
|
| 54 |
/m/0b7pl6m
cvt |
/m/0k2ckj
Richard Chew
|
2010-03-08T18:35:43.0022Z
|
| 55 |
/m/0b7pl6m
cvt |
/m/02lp3c
Walter Murch
|
2010-03-08T18:35:43.0021Z
|
| 56 |
/m/0b7pl6m
cvt |
/boot/all_permission
|
2010-03-08T18:35:43.0020Z
|
| 57 |
/m/0gny_h
Dede Allen |
/award/award_winner
|
2010-03-08T18:35:43.0018Z
|
| 58 |
/m/0b7pl6c
cvt |
/m/0ptx_
Dog Day Afternoon
|
2010-03-08T18:35:43.0017Z
|
| 59 |
/m/0b7pl6c
cvt |
/award/award_honor
|
2010-03-08T18:35:43.0016Z
|
| 60 |
/m/0b7pl6c
cvt |
1975
|
2010-03-08T18:35:43.0015Z
|
| 61 |
/m/0b7pl6c
cvt |
/m/02qyntr
BAFTA Award for Best Editing
|
2010-03-08T18:35:43.0014Z
|
| 62 |
/m/0b7pl6c
cvt |
/m/0gny_h
Dede Allen
|
2010-03-08T18:35:43.0013Z
|
| 63 |
/m/0b7pl6c
cvt |
/boot/all_permission
|
2010-03-08T18:35:43.0012Z
|
| 64 |
/m/02ph4rk
Sheldon Kahn |
/award/award_winner
|
2010-03-08T18:35:43.0010Z
|
| 65 |
/m/0jswkk
Lynzee Klingman |
/award/award_winner
|
2010-03-08T18:35:43.0009Z
|
| 66 |
/m/0b7pl60
cvt |
/m/07xtqq
One Flew Over the Cuckoo's Nest
|
2010-03-08T18:35:43.0008Z
|
| 67 |
/m/0b7pl60
cvt |
/award/award_honor
|
2010-03-08T18:35:43.0007Z
|
| 68 |
/m/0b7pl60
cvt |
1976
|
2010-03-08T18:35:43.0006Z
|
| 69 |
/m/0b7pl60
cvt |
/m/02qyntr
BAFTA Award for Best Editing
|
2010-03-08T18:35:43.0005Z
|
| 70 |
/m/0b7pl60
cvt |
/m/02ph4rk
Sheldon Kahn
|
2010-03-08T18:35:43.0004Z
|
| 71 |
/m/0b7pl60
cvt |
/m/0jswkk
Lynzee Klingman
|
2010-03-08T18:35:43.0003Z
|
| 72 |
/m/0b7pl60
cvt |
/m/0k2ckj
Richard Chew
|
2010-03-08T18:35:43.0002Z
|
| 73 |
/m/0b7pl60
cvt |
/boot/all_permission
|
2010-03-08T18:35:43.0001Z
|
| 74 |
/m/0jtm7l
Wendy Greene Bricmont |
/award/award_winner
|
2010-03-08T18:35:42.0023Z
|
| 75 |
/m/03cfmp4
Ralph Rosenblum |
/award/award_winner
|
2010-03-08T18:35:42.0022Z
|
| 76 |
/m/0b7pl5q
cvt |
/m/0hmr4
Annie Hall
|
2010-03-08T18:35:42.0021Z
|
| 77 |
/m/0b7pl5q
cvt |
/award/award_honor
|
2010-03-08T18:35:42.0020Z
|
| 78 |
/m/0b7pl5q
cvt |
1977
|
2010-03-08T18:35:42.0019Z
|
| 79 |
/m/0b7pl5q
cvt |
/m/02qyntr
BAFTA Award for Best Editing
|
2010-03-08T18:35:42.0018Z
|
| 80 |
/m/0b7pl5q
cvt |
/m/0jtm7l
Wendy Greene Bricmont
|
2010-03-08T18:35:42.0017Z
|
| 81 |
/m/0b7pl5q
cvt |
/m/03cfmp4
Ralph Rosenblum
|
2010-03-08T18:35:42.0016Z
|
| 82 |
/m/0b7pl5q
cvt |
/boot/all_permission
|
2010-03-08T18:35:42.0015Z
|
| 83 |
/m/0b7pl5h
cvt |
/m/0p_sc
Midnight Express
|
2010-03-08T18:35:42.0013Z
|
| 84 |
/m/0b7pl5h
cvt |
/award/award_honor
|
2010-03-08T18:35:42.0012Z
|
| 85 |
/m/0b7pl5h
cvt |
1978
|
2010-03-08T18:35:42.0011Z
|
| 86 |
/m/0b7pl5h
cvt |
/m/02qyntr
BAFTA Award for Best Editing
|
2010-03-08T18:35:42.0010Z
|
| 87 |
/m/0b7pl5h
cvt |
/m/03gsh6f
Gerry Hambling
|
2010-03-08T18:35:42.0009Z
|
| 88 |
/m/0b7pl5h
cvt |
/boot/all_permission
|
2010-03-08T18:35:42.0008Z
|
| 89 |
/m/0b7pl58
cvt |
/m/0jqj5
The Deer Hunter
|
2010-03-08T18:35:42.0006Z
|
| 90 |
/m/0b7pl58
cvt |
/award/award_honor
|
2010-03-08T18:35:42.0005Z
|
| 91 |
/m/0b7pl58
cvt |
1979
|
2010-03-08T18:35:42.0004Z
|
| 92 |
/m/0b7pl58
cvt |
/m/02qyntr
BAFTA Award for Best Editing
|
2010-03-08T18:35:42.0003Z
|
| 93 |
/m/0b7pl58
cvt |
/m/03c_0ml
Peter Zinner
|
2010-03-08T18:35:42.0002Z
|
| 94 |
/m/0b7pl58
cvt |
/boot/all_permission
|
2010-03-08T18:35:42.0001Z
|
| 95 |
/m/0b7pl51
cvt |
/m/0hv1t
All That Jazz
|
2010-03-08T18:35:41.0006Z
|
| 96 |
/m/0b7pl51
cvt |
/award/award_honor
|
2010-03-08T18:35:41.0005Z
|
| 97 |
/m/0b7pl51
cvt |
1980
|
2010-03-08T18:35:41.0004Z
|
| 98 |
/m/0b7pl51
cvt |
/m/02qyntr
BAFTA Award for Best Editing
|
2010-03-08T18:35:41.0003Z
|
| 99 |
/m/0b7pl51
cvt |
/boot/all_permission
|
2010-03-08T18:35:41.0001Z
|
| 100 |
/m/0b7pl4f
cvt |
/m/06cm5
Raging Bull
|
2010-03-08T18:35:37.0006Z
|