| 1 |
/m/09y1g8n
cvt |
/m/0dr_4
Titanic
|
2010-02-10T18:01:27.0020Z
|
| 2 |
/m/09y1g8n
cvt |
/boot/all_permission
|
2010-02-10T18:01:27.0019Z
|
| 3 |
/m/09y1g8n
cvt |
/award/award_nomination
|
2010-02-10T18:01:27.0018Z
|
| 4 |
/m/09y1g8n
cvt |
1997
|
2010-02-10T18:01:27.0017Z
|
| 5 |
/m/09y1g8n
cvt |
/m/01xs01z
BAFTA Award for Best Cinematography
|
2010-02-10T18:01:27.0016Z
|
| 6 |
/m/09y1g8n
cvt |
/m/0f3_bz
Russell Carpenter
|
2010-02-10T18:01:27.0015Z
|
| 7 |
/m/09y1g8c
cvt |
/m/011yqc
L.A. Confidential
|
2010-02-10T18:01:27.0011Z
|
| 8 |
/m/09y1g8c
cvt |
/boot/all_permission
|
2010-02-10T18:01:27.0010Z
|
| 9 |
/m/09y1g8c
cvt |
/award/award_nomination
|
2010-02-10T18:01:27.0009Z
|
| 10 |
/m/09y1g8c
cvt |
1997
|
2010-02-10T18:01:27.0008Z
|
| 11 |
/m/09y1g8c
cvt |
/m/01xs01z
BAFTA Award for Best Cinematography
|
2010-02-10T18:01:27.0007Z
|
| 12 |
/m/09y1g8c
cvt |
/m/09bxq9
Dante Spinotti
|
2010-02-10T18:01:27.0006Z
|
| 13 |
/m/09y1g7y
cvt |
/m/01cssf
Romeo + Juliet
|
2010-02-10T18:01:26.0030Z
|
| 14 |
/m/09y1g7y
cvt |
/boot/all_permission
|
2010-02-10T18:01:26.0029Z
|
| 15 |
/m/09y1g7y
cvt |
/award/award_nomination
|
2010-02-10T18:01:26.0028Z
|
| 16 |
/m/09y1g7y
cvt |
1997
|
2010-02-10T18:01:26.0027Z
|
| 17 |
/m/09y1g7y
cvt |
/m/01xs01z
BAFTA Award for Best Cinematography
|
2010-02-10T18:01:26.0026Z
|
| 18 |
/m/09y1g7y
cvt |
/m/0cqh57
Donald McAlpine
|
2010-02-10T18:01:26.0025Z
|
| 19 |
/m/09y1g7k
cvt |
/m/09z2b7
The Wings of the Dove
|
2010-02-10T18:01:26.0018Z
|
| 20 |
/m/09y1g7k
cvt |
/boot/all_permission
|
2010-02-10T18:01:26.0017Z
|
| 21 |
/m/09y1g7k
cvt |
/award/award_nomination
|
2010-02-10T18:01:26.0016Z
|
| 22 |
/m/09y1g7k
cvt |
1997
|
2010-02-10T18:01:26.0015Z
|
| 23 |
/m/09y1g7k
cvt |
/m/01xs01z
BAFTA Award for Best Cinematography
|
2010-02-10T18:01:26.0014Z
|
| 24 |
/m/09y1g7k
cvt |
/m/03d7nfv
Eduardo Serra
|
2010-02-10T18:01:26.0013Z
|
| 25 |
/m/09y1g77
cvt |
/m/07024
Saving Private Ryan
|
2010-02-10T18:01:26.0008Z
|
| 26 |
/m/09y1g77
cvt |
/boot/all_permission
|
2010-02-10T18:01:26.0007Z
|
| 27 |
/m/09y1g77
cvt |
/award/award_nomination
|
2010-02-10T18:01:26.0006Z
|
| 28 |
/m/09y1g77
cvt |
1998
|
2010-02-10T18:01:26.0005Z
|
| 29 |
/m/09y1g77
cvt |
/m/01xs01z
BAFTA Award for Best Cinematography
|
2010-02-10T18:01:26.0004Z
|
| 30 |
/m/09y1g77
cvt |
/m/0245wb
Janusz Kamiński
|
2010-02-10T18:01:26.0003Z
|
| 31 |
/m/02vy4xd
Peter Biziou |
/award/award_nominee
|
2010-02-10T18:01:25.0037Z
|
| 32 |
/m/09y1g6y
cvt |
/m/01hv3t
The Truman Show
|
2010-02-10T18:01:25.0036Z
|
| 33 |
/m/09y1g6y
cvt |
/boot/all_permission
|
2010-02-10T18:01:25.0035Z
|
| 34 |
/m/09y1g6y
cvt |
/award/award_nomination
|
2010-02-10T18:01:25.0034Z
|
| 35 |
/m/09y1g6y
cvt |
1998
|
2010-02-10T18:01:25.0033Z
|
| 36 |
/m/09y1g6y
cvt |
/m/01xs01z
BAFTA Award for Best Cinematography
|
2010-02-10T18:01:25.0032Z
|
| 37 |
/m/09y1g6y
cvt |
/m/02vy4xd
Peter Biziou
|
2010-02-10T18:01:25.0031Z
|
| 38 |
/m/09y1g6h
cvt |
/m/0m313
Shakespeare in Love
|
2010-02-10T18:01:25.0022Z
|
| 39 |
/m/09y1g6h
cvt |
/boot/all_permission
|
2010-02-10T18:01:25.0021Z
|
| 40 |
/m/09y1g6h
cvt |
/award/award_nomination
|
2010-02-10T18:01:25.0020Z
|
| 41 |
/m/09y1g6h
cvt |
1998
|
2010-02-10T18:01:25.0019Z
|
| 42 |
/m/09y1g6h
cvt |
/m/01xs01z
BAFTA Award for Best Cinematography
|
2010-02-10T18:01:25.0018Z
|
| 43 |
/m/09y1g6h
cvt |
/m/0jsslr
Richard Greatrex
|
2010-02-10T18:01:25.0017Z
|
| 44 |
/m/09y1g68
cvt |
/m/011yr9
Elizabeth
|
2010-02-10T18:01:25.0015Z
|
| 45 |
/m/09y1g68
cvt |
/boot/all_permission
|
2010-02-10T18:01:25.0014Z
|
| 46 |
/m/09y1g68
cvt |
/award/award_nomination
|
2010-02-10T18:01:25.0013Z
|
| 47 |
/m/09y1g68
cvt |
1998
|
2010-02-10T18:01:25.0012Z
|
| 48 |
/m/09y1g68
cvt |
/m/01xs01z
BAFTA Award for Best Cinematography
|
2010-02-10T18:01:25.0011Z
|
| 49 |
/m/09y1g68
cvt |
/m/0fq9yl
Remi Adefarasin
|
2010-02-10T18:01:25.0010Z
|
| 50 |
/m/0ctsk9
Bill Pope |
/award/award_nominee
|
2010-02-10T18:01:25.0008Z
|
| 51 |
/m/09y1g5_
cvt |
/m/07cz2
The Matrix
|
2010-02-10T18:01:25.0006Z
|
| 52 |
/m/09y1g5_
cvt |
/boot/all_permission
|
2010-02-10T18:01:25.0005Z
|
| 53 |
/m/09y1g5_
cvt |
/award/award_nomination
|
2010-02-10T18:01:25.0004Z
|
| 54 |
/m/09y1g5_
cvt |
1999
|
2010-02-10T18:01:25.0003Z
|
| 55 |
/m/09y1g5_
cvt |
/m/01xs01z
BAFTA Award for Best Cinematography
|
2010-02-10T18:01:25.0002Z
|
| 56 |
/m/09y1g5_
cvt |
/m/0ctsk9
Bill Pope
|
2010-02-10T18:01:25.0001Z
|
| 57 |
/m/09y1g5s
cvt |
/m/02mpyh
The Talented Mr. Ripley
|
2010-02-10T18:01:24.0029Z
|
| 58 |
/m/09y1g5s
cvt |
/boot/all_permission
|
2010-02-10T18:01:24.0028Z
|
| 59 |
/m/09y1g5s
cvt |
/award/award_nomination
|
2010-02-10T18:01:24.0027Z
|
| 60 |
/m/09y1g5s
cvt |
1999
|
2010-02-10T18:01:24.0026Z
|
| 61 |
/m/09y1g5s
cvt |
/m/01xs01z
BAFTA Award for Best Cinematography
|
2010-02-10T18:01:24.0025Z
|
| 62 |
/m/09y1g5s
cvt |
/m/08mhyd
John Seale
|
2010-02-10T18:01:24.0024Z
|
| 63 |
/m/09y1g5k
cvt |
/m/03cfkrw
The End of the Affair
|
2010-02-10T18:01:24.0022Z
|
| 64 |
/m/09y1g5k
cvt |
/boot/all_permission
|
2010-02-10T18:01:24.0021Z
|
| 65 |
/m/09y1g5k
cvt |
/award/award_nomination
|
2010-02-10T18:01:24.0020Z
|
| 66 |
/m/09y1g5k
cvt |
1999
|
2010-02-10T18:01:24.0019Z
|
| 67 |
/m/09y1g5k
cvt |
/m/01xs01z
BAFTA Award for Best Cinematography
|
2010-02-10T18:01:24.0018Z
|
| 68 |
/m/09y1g5k
cvt |
/m/0cr73z
Roger Pratt
|
2010-02-10T18:01:24.0017Z
|
| 69 |
/m/042175c
Michael Seresin |
/award/award_nominee
|
2010-02-10T18:01:24.0015Z
|
| 70 |
/m/09y1g59
cvt |
/m/09tcg4
Angela's Ashes
|
2010-02-10T18:01:24.0014Z
|
| 71 |
/m/09y1g59
cvt |
/boot/all_permission
|
2010-02-10T18:01:24.0013Z
|
| 72 |
/m/09y1g59
cvt |
/award/award_nomination
|
2010-02-10T18:01:24.0012Z
|
| 73 |
/m/09y1g59
cvt |
1999
|
2010-02-10T18:01:24.0011Z
|
| 74 |
/m/09y1g59
cvt |
/m/01xs01z
BAFTA Award for Best Cinematography
|
2010-02-10T18:01:24.0010Z
|
| 75 |
/m/09y1g59
cvt |
/m/042175c
Michael Seresin
|
2010-02-10T18:01:24.0009Z
|
| 76 |
/m/09y1g52
cvt |
/m/0c0zq
American Beauty
|
2010-02-10T18:01:24.0007Z
|
| 77 |
/m/09y1g52
cvt |
/boot/all_permission
|
2010-02-10T18:01:24.0006Z
|
| 78 |
/m/09y1g52
cvt |
/award/award_nomination
|
2010-02-10T18:01:24.0005Z
|
| 79 |
/m/09y1g52
cvt |
1999
|
2010-02-10T18:01:24.0004Z
|
| 80 |
/m/09y1g52
cvt |
/m/01xs01z
BAFTA Award for Best Cinematography
|
2010-02-10T18:01:24.0003Z
|
| 81 |
/m/09y1g52
cvt |
/m/0164w8
Conrad L. Hall
|
2010-02-10T18:01:24.0002Z
|
| 82 |
/m/09y1g4v
cvt |
/m/01mgw
Crouching Tiger, Hidden Dragon
|
2010-02-10T18:01:23.0036Z
|
| 83 |
/m/09y1g4v
cvt |
/boot/all_permission
|
2010-02-10T18:01:23.0035Z
|
| 84 |
/m/09y1g4v
cvt |
/award/award_nomination
|
2010-02-10T18:01:23.0034Z
|
| 85 |
/m/09y1g4v
cvt |
2000
|
2010-02-10T18:01:23.0033Z
|
| 86 |
/m/09y1g4v
cvt |
/m/01xs01z
BAFTA Award for Best Cinematography
|
2010-02-10T18:01:23.0032Z
|
| 87 |
/m/09y1g4v
cvt |
/m/073046
Peter Pau
|
2010-02-10T18:01:23.0031Z
|
| 88 |
/m/09y1g4m
cvt |
/m/05kr4
O Brother, Where Art Thou?
|
2010-02-10T18:01:23.0029Z
|
| 89 |
/m/09y1g4m
cvt |
/boot/all_permission
|
2010-02-10T18:01:23.0028Z
|
| 90 |
/m/09y1g4m
cvt |
/award/award_nomination
|
2010-02-10T18:01:23.0027Z
|
| 91 |
/m/09y1g4m
cvt |
2000
|
2010-02-10T18:01:23.0026Z
|
| 92 |
/m/09y1g4m
cvt |
/m/01xs01z
BAFTA Award for Best Cinematography
|
2010-02-10T18:01:23.0025Z
|
| 93 |
/m/09y1g4m
cvt |
/m/04qvl7
Roger Deakins
|
2010-02-10T18:01:23.0024Z
|
| 94 |
/m/0jvcxz
Brian Tufano |
/award/award_nominee
|
2010-02-10T18:01:23.0022Z
|
| 95 |
/m/09y1g4c
cvt |
/m/016mhd
Billy Elliot
|
2010-02-10T18:01:23.0021Z
|
| 96 |
/m/09y1g4c
cvt |
/boot/all_permission
|
2010-02-10T18:01:23.0020Z
|
| 97 |
/m/09y1g4c
cvt |
/award/award_nomination
|
2010-02-10T18:01:23.0019Z
|
| 98 |
/m/09y1g4c
cvt |
2000
|
2010-02-10T18:01:23.0018Z
|
| 99 |
/m/09y1g4c
cvt |
/m/01xs01z
BAFTA Award for Best Cinematography
|
2010-02-10T18:01:23.0017Z
|
| 100 |
/m/09y1g4c
cvt |
/m/0jvcxz
Brian Tufano
|
2010-02-10T18:01:23.0016Z
|