David Rosand (b. 1938) is one of the foremost scholars of Italian Renaissance art active today. Noted for his important work on Venetian artists like Titian, Rosand has gradually expanded his scholarly scope to include much of post-Renaissance and modern art. He has made significant contributions to the phenomenological understanding of specific artistic media including drawing and impasto-style painting. He received his undergraduate degree in 1...
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David Rosand (b. 1938) is one of the foremost scholars of Italian Renaissance art active today. Noted for his important work on Venetian artists like Titian, Rosand has gradually expanded his scholarly scope to include much of post-Renaissance and modern art. He has made significant contributions to the phenomenological understanding of specific artistic media including drawing and impasto-style painting. He received his undergraduate degree in 1959 and his PhD in 1965, both from Columbia University. Since 1964, Rosand has taught at Columbia, where he is Meyer Schapiro Professor of Art History. He plans to retire from that position in 2009.
"Titian and the Venetian Woodcut." Washington, The Foundation, 1976
"Titian." New York, Abrams, 1978
"The Meaning of the Mark: Leonardo and Titian." Lawrence, Spencer Museum of Art, 1988
"Painting in Sixteenth-Century Venice: Titian, Veronese, and Tintoretto." Cambridge, Cambridge University Press, 1997.
"Robert Motherwell on Paper: Drawings,...
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