Earl Eugene Scruggs (born January 6, 1924) is a musician noted for perfecting and popularizing a 3-finger style (now called Scruggs style) on the 5-string banjo that is a defining characteristic of bluegrass music. Although other musicians had played in 3-finger style before him, Scruggs shot to prominence when he was hired by Bill Monroe to fill the banjo slot in the "Blue Grass Boys". Scruggs built on earlier styles to develop a truly new and r...
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Earl Eugene Scruggs (born January 6, 1924) is a musician noted for perfecting and popularizing a 3-finger style (now called Scruggs style) on the 5-string banjo that is a defining characteristic of bluegrass music. Although other musicians had played in 3-finger style before him, Scruggs shot to prominence when he was hired by Bill Monroe to fill the banjo slot in the "Blue Grass Boys". Scruggs built on earlier styles to develop a truly new and readily identifiable style, involving: unprecedented smoothness, syncopation, and uninterrupted flow; a large vocabulary of unique and original licks; blues and jazz phrases, evident in backup and in solos such as "Foggy Mountain Special;" and an overall coherency and polish that other stylists lacked, which inspired imitation by newer generations of banjo pickers.
Scruggs was born in Shelby, North Carolina to Georgia Lula Ruppe and George Elam Scruggs. Scruggs joined Bill Monroe's Blue Grass Boys in late 1945 and his syncopated, three-finger...
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