Like electric guitars, electric harps are based on their acoustic originals. There are both solid-body and hollow body electro-acoustic models available. True electric harps have a solid body versus a hollow body electro-acoustic harp, which can be played either acoustically or electronically. A true electric solid-body harp cannot be played acoustically since it has no hollow soundbox, and must be amplified when played.
Alan Stivell writes in hi...
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Like electric guitars, electric harps are based on their acoustic originals. There are both solid-body and hollow body electro-acoustic models available. True electric harps have a solid body versus a hollow body electro-acoustic harp, which can be played either acoustically or electronically. A true electric solid-body harp cannot be played acoustically since it has no hollow soundbox, and must be amplified when played.
Alan Stivell writes in his book Telenn, la harpe bretonne of his first dreams of electric harps going back to the late 1950s. He designed and had made a solid body (after different electric-acoustic harps) electric harp at the turn of the 1970s–80s, about the same time as Rudiger Oppermann. Alan Stivell later (early 80s) had a meeting with Joel Garnier who decided to create a model. Alan Stivell went on independently to design and have different single models been made with Leo Goas-Straajer (before the Camac–Alan Stivell last experiment). The first such commercially...
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