Fidelio (Op. 72) is a German opera in two acts by Ludwig van Beethoven. It is Beethoven's only opera. The German libretto is by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly which had been used for the 1798 opera Léonore, ou L’amour conjugal by Pierre Gaveaux, and for the 1804 opera Leonora by Ferdinando Paer (a score of which was owned by Beethoven). The opera tells how Leonore, disguised as a prison guard named "Fidelio", rescues ...
More
Fidelio (Op. 72) is a German opera in two acts by Ludwig van Beethoven. It is Beethoven's only opera. The German libretto is by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly which had been used for the 1798 opera Léonore, ou L’amour conjugal by Pierre Gaveaux, and for the 1804 opera Leonora by Ferdinando Paer (a score of which was owned by Beethoven). The opera tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison.
Bouilly's scenario fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism and eventual triumph (the usual topics of Beethoven's "middle period") with its underlying struggle for liberty and justice mirroring contemporary political movements in Europe.
As elsewhere in Beethoven's vocal music, the music is not especially kind to the singers. The principal parts of Leonore and Florestan, in particular, require great vocal skill and endurance in order to...
Less
