Grigori Mikhaylovich Kozintsev (Russian: Григо́рий Миха́йлович Ко́зинцев; Kiev, 22 March [O.S. 9 March] 1905 – Leningrad, now Saint Petersburg, 11 May 1973) was a Jewish Ukrainian, Soviet Russian theatre and film director. He was named People's Artist of the USSR in 1964.
He studied in the Imperial Academy of Arts. As a theatre director he was part of Eccentricism, a modernist avant garde movement that spanned Russian futurism and constructivism,...
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Grigori Mikhaylovich Kozintsev (Russian: Григо́рий Миха́йлович Ко́зинцев; Kiev, 22 March [O.S. 9 March] 1905 – Leningrad, now Saint Petersburg, 11 May 1973) was a Jewish Ukrainian, Soviet Russian theatre and film director. He was named People's Artist of the USSR in 1964.
He studied in the Imperial Academy of Arts. As a theatre director he was part of Eccentricism, a modernist avant garde movement that spanned Russian futurism and constructivism, which included the theatre of Vsevolod Meyerhold and Sergei Eisenstein. Kozintsev contributed the "Salvation in the Trousers" section to the Eccentric Manifesto, published on 9 July 1922 (the other contributors were Leonid Trauberg, Sergei Yutkevich and Georgii Kryzhitskii) and was involved with the Factory of the Eccentric Actor group. Some of his early films were launched under the FEKS label.
He began making films in 1921. His silent features, including The Overcoat (1926) and The New Babylon (1929), had a ring of Expressionism, while the...
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