Jan Mabuse (c. 1478 – 1 October 1532) was the name adopted (from his birthplace, Maubeuge) by the Flemish painter Jan Gossaert; or Jennyn van Hennegouwe (Hainaut), as he called himself when he matriculated in the guild of St Luke, at Antwerp, in 1503.
Nothing is known of his early life, but his works suggest that he stood in his first period under the influence of artists to whom plastic models were familiar; and this leads to the belief that he ...
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Jan Mabuse (c. 1478 – 1 October 1532) was the name adopted (from his birthplace, Maubeuge) by the Flemish painter Jan Gossaert; or Jennyn van Hennegouwe (Hainaut), as he called himself when he matriculated in the guild of St Luke, at Antwerp, in 1503.
Nothing is known of his early life, but his works suggest that he stood in his first period under the influence of artists to whom plastic models were familiar; and this leads to the belief that he spent his youth on the French border rather than on the banks of the Scheldt. Without the subtlety or power of Van der Weyden, he had this much in common with the great master of Tournai and Brussels, that his compositions were usually framed in architectural backgrounds.
But whilst Mabuse thus early betrays his dependence on the masters of the French frontier, he also confesses admiration for the great painters who first gave lustre to Antwerp; and in the large altar-pieces of Castle Howard and Scawby he combines in a quaint and not...
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