Jürgen Flimm was born in Gießen, Germany. He studied theory of drama, literature and sociology at the University of Cologne and started his career with his first position as assistant director at the Munich Kammerspiele in 1968. He had positions as director at the National Theatre Mannheim and as senior director at the Thalia Theater in Hamburg (1973/74), then he worked as freelance director and director at the Schauspiel Cologne.
In 1985, he onc...
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Jürgen Flimm was born in Gießen, Germany. He studied theory of drama, literature and sociology at the University of Cologne and started his career with his first position as assistant director at the Munich Kammerspiele in 1968. He had positions as director at the National Theatre Mannheim and as senior director at the Thalia Theater in Hamburg (1973/74), then he worked as freelance director and director at the Schauspiel Cologne.
In 1985, he once more joined the Thalia Theatre, where he worked as leading director for the next fifteen years and which became, under his executive, one of the artistically and economically most successful voice theatres in Germany. Among his most important productions in Hamburg are plays by Anton Chekhov (Platonov, 1989; Uncle Vanya, 1995; Three Sisters, 1999), Henrik Ibsen (Peer Gynt, 1985; The Wild Duck, 1994), Arthur Schnitzler (Liebelei, 1988; Das weite Land, 1995) and William Shakespeare (Hamlet, 1986; King Lear, 1992; As You Like It, 1998).
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