L'art pompier, literally "Fireman Art", is a derisory late nineteenth century French term for large "official" academic art paintings of the time, especially historical or allegorical ones. It derives from the fancy helmets, with horse-hair tails, worn at the time by French firemen - now only for parades - which are fatally similar to the Greek-style helmets often worn in such works by allegorical personifications, classical warriors, or Napoleon...
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L'art pompier, literally "Fireman Art", is a derisory late nineteenth century French term for large "official" academic art paintings of the time, especially historical or allegorical ones. It derives from the fancy helmets, with horse-hair tails, worn at the time by French firemen - now only for parades - which are fatally similar to the Greek-style helmets often worn in such works by allegorical personifications, classical warriors, or Napoleonic cavalry. It also suggests half-puns in French with Pompéin ("from Pompeii"), and pompeux ("pompous"). Pompier art was seen by those who used the term as the epitome of the values of the bourgeoisie, and as insincere and overblown.
L'art Pompier (a term supporters mostly avoid) has enjoyed something of a critical revival in the last twenty years, partly caused by the new Musée d'Orsay in Paris, where it is displayed on more equal terms with the Impressionists and Realist painters of the period.
The Manifeste Pompier (Fireman Manifesto) by...
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