Literary criticism is the study, discussion, evaluation, and interpretation of literature. Modern literary criticism is often informed by literary theory, which is the philosophical discussion of its methods and goals. Though the two activities are closely related, literary critics are not always, and have not always been, theorists.
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Literary criticism
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Books In This Genre:
- The Cambridge Introduction to Edgar Allan Poe
- The Afterlife of Edgar Allan Poe
- Edgar Allan Poe: A Critical Biography
- The Mystery of Hamlet
- Against Interpretation
- The Simple Art of Murder
- French Poets and Novelists
- Hawthorne
- Partial Portraits
- Essays in London and Elsewhere
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- Let me walk three weeks in the footsteps of my enemy, carry the same burden, have the same trials as he, before I say one word to criticize.
- The critical method which denies literary modernity would appear -- and even, in certain respects, would be -- the most modern of critical movements.
- There is then creative reading as well as creative writing. When the mind is braced by labor and invention, the page of whatever book we read becomes luminous with manifold allusion. Every sentence is doubly significant, and the sense of our author is as broad as the world.
- A reader who quarrels with postulates, who dislikes Hamlet because he does not believe that there are ghosts or that people speak in pentameters, clearly has no business in literature. He cannot distinguish fiction from fact, and belongs in the same category as the people who send checks to radio stations for the relief of suffering heroines in soap operas.
- We have our little theory on all human and divine things. Poetry, the workings of genius itself, which, in all times, with one or another meaning, has been called Inspiration, and held to be mysterious and inscrutable, is no longer without its scientific exposition. The building of the lofty rhyme is like any other masonry or bricklaying: we have theories of its rise, height, decline and fall -- which latter, it would seem, is now near, among all people.
- Interpretation is the revenge of the intellect upon art. Even more. It is the revenge of the intellect upon the world. To interpret is to impoverish, to deplete the world -- in order to set up a shadow world of meanings.
- The great critic must be a philosopher, for from philosophy he will learn serenity, impartiality, and the transitoriness of human things.
- Genuine polemics approach a book as lovingly as a cannibal spices a baby.
- Literary criticism can be no more than a reasoned account of the feeling produced upon the critic by the book he is criticizing. Criticism can never be a science: it is, in the first place, much too personal, and in the second, it is concerned with values that science ignores. The touchstone is emotion, not reason. We judge a work of art by its effect on our sincere and vital emotion, and nothing else. All the critical twiddle-twaddle about style and form, all this pseudoscientific classifying and analyzing of books in an imitation-botanical fashion, is mere impertinence and mostly dull jargon.
- Much literary criticism comes from people for whom extreme specialization is a cover for either grave cerebral inadequacy or terminal laziness, the latter being a much cherished aspect of academic freedom.
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