Microhouse, Buftech or sometimes just minimal, is a subgenre of house and glitch music.
Microhouse has its roots in the minimal techno, glitch (both developed in the early 90's), and house (developed in the mid-80's) genres of music. Its first echoes appeared in the glitch album by German experimental artist Oval, in 1993. Like many contemporary electronic genres, Microhouse has many influences, most notably techno and the "click and pop" garage ...
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Microhouse, Buftech or sometimes just minimal, is a subgenre of house and glitch music.
Microhouse has its roots in the minimal techno, glitch (both developed in the early 90's), and house (developed in the mid-80's) genres of music. Its first echoes appeared in the glitch album by German experimental artist Oval, in 1993. Like many contemporary electronic genres, Microhouse has many influences, most notably techno and the "click and pop" garage house that has emerged from Yorkshire Bleeps and Bass (or "Bleep"), glitch and minimal techno. Contrasting with tech house, which is often thought of as 'house with techno melodic elements', microhouse is more aptly described as 'housey minimal techno' – a marriage of the funky and groovy backroom house elements with glitch and the driving, repetitive sound of techno.
The first microhouse track to gain mainstream popularity by a non-glitch artist was Isolee's 1999 anthem, 'Beau Mot Plage'. However, microhouse did not begin to rapidly build in...
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