Salome (Greek: Σαλωμη, Salōmē), the Daughter of Herodias (c AD 14 - between 62 and 71), is known from the New Testament (Mark 6:17-29 and Matt 14:3-11, where, however, her name is not given). Another source from Antiquity, Flavius Josephus's Jewish Antiquities, gives her name and some detail about her family relations.
Name in Hebrew reads שלומית (Shlomit) and is derived from Shalom שלום, meaning "peace".
Christian traditions depict her as an ico...
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Salome (Greek: Σαλωμη, Salōmē), the Daughter of Herodias (c AD 14 - between 62 and 71), is known from the New Testament (Mark 6:17-29 and Matt 14:3-11, where, however, her name is not given). Another source from Antiquity, Flavius Josephus's Jewish Antiquities, gives her name and some detail about her family relations.
Name in Hebrew reads שלומית (Shlomit) and is derived from Shalom שלום, meaning "peace".
Christian traditions depict her as an icon of dangerous female seductiveness, for instance depicting as erotic her dance mentioned in the New Testament (in some later transformations further iconised to the dance of the seven veils), or concentrate on her lighthearted and cold foolishness that, according to the gospels, led to John the Baptist's death. A new ramification was added by Oscar Wilde, who in his play Salome let her devolve into a necrophiliac, killed the same day as the man whose death she had requested. This last interpretation, made even more memorable by Richard...
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