In his own time, William Shakespeare (1564 – 1616) was seen as merely one among many talented playwrights and poets, but ever since the late 17th century he has been considered the supreme playwright, and to a lesser extent poet, of the English language. No other dramatist has been performed even remotely as often on the British (and later the world) stage as Shakespeare. The plays have often been drastically adapted in performance; the version o...
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In his own time, William Shakespeare (1564 – 1616) was seen as merely one among many talented playwrights and poets, but ever since the late 17th century he has been considered the supreme playwright, and to a lesser extent poet, of the English language. No other dramatist has been performed even remotely as often on the British (and later the world) stage as Shakespeare. The plays have often been drastically adapted in performance; the version of King Lear used in performance between 1681 and 1838, for instance, had a happy ending, provided by a rewrite by the Irish poet Nahum Tate. During the 18th and 19th centuries, the era of the great acting stars, to be a star on the British stage became synonymous with being a great Shakespearean actor. The emphasis was then on the soliloquies as declamatory turns, at the expense of pace and action, and Shakespeare's plays threatened to disappear under music, scenery, thunder, lightning and wave machines.
Editors and critics of the plays,...
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