The Bassarids (in German, Die Bassariden) is an opera in one act and an intermezzo, with music Hans Werner Henze to an English libretto by W. H. Auden and Chester Kallman, after Euripides's The Bacchae.
The conflict in the opera is between human rationality and emotional control, represented by the King of Thebes, Pentheus, and unbridled human passion, represented by the god Dionysus.
A noteworthy feature of the opera is its construction like a c...
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The Bassarids (in German, Die Bassariden) is an opera in one act and an intermezzo, with music Hans Werner Henze to an English libretto by W. H. Auden and Chester Kallman, after Euripides's The Bacchae.
The conflict in the opera is between human rationality and emotional control, represented by the King of Thebes, Pentheus, and unbridled human passion, represented by the god Dionysus.
A noteworthy feature of the opera is its construction like a classical symphony in four 'movements':
Henze has noted that he quotes from Johann Sebastian Bach's St. Matthew Passion and the English Suite in D minor. Auden and Kallman wrote of changes that they made to the Euripides original for the purposes of this opera.
It was first performed in a German translation by Maria Basse-Sporleder in Salzburg on 6 August 1966.
The first performance using the original English text, as well as the US premiere, was at Santa Fe Opera on 7 August 1968, with the composer conducting. The opera was also given in...
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