Tonino Delli Colli (20 November 1922 – 16 August 2005) was an Italian cinematographer.
Born in Rome, he began work at Rome's Cinecittà studio in 1938, at the age of sixteen. By the mid-1940s he was working as a cinematographer and in 1952 shot the first Italian film in colour, Totò a colori. He went on to work with a number of acclaimed, and diverse, directors, including Sergio Leone (The Good, the Bad and the Ugly, Once Upon a Time in the West a...
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Tonino Delli Colli (20 November 1922 – 16 August 2005) was an Italian cinematographer.
Born in Rome, he began work at Rome's Cinecittà studio in 1938, at the age of sixteen. By the mid-1940s he was working as a cinematographer and in 1952 shot the first Italian film in colour, Totò a colori. He went on to work with a number of acclaimed, and diverse, directors, including Sergio Leone (The Good, the Bad and the Ugly, Once Upon a Time in the West and Once Upon a Time in America), Roman Polanski (Death and the Maiden and Bitter Moon), Louis Malle (Lacombe Lucien), Jean-Jacques Annaud (The Name of the Rose), and Federico Fellini, whose last three films he photographed.
His collaboration with Pier Paolo Pasolini was especially fruitful: they made twelve films together, including Pasolini's debut Accattone (1961), Mamma Roma (1962), The Gospel According to St. Matthew (1964), The Decameron (1971), The Canterbury Tales (1972) and Salò o le 120 giornate di Sodoma (1976).
His last film was...
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