In Iain M. Banks' Culture novels most larger starships, some inhabited planets and all orbitals have their own Minds: sentient, hyperintelligent machines originally built by biological species which have evolved, redesigned themselves, and become many times more intelligent than their original creators.
These Minds have become an indispensable part of the Culture, enabling much of its post-scarcity amenities by planning and automatizing society (...
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In Iain M. Banks' Culture novels most larger starships, some inhabited planets and all orbitals have their own Minds: sentient, hyperintelligent machines originally built by biological species which have evolved, redesigned themselves, and become many times more intelligent than their original creators.
These Minds have become an indispensable part of the Culture, enabling much of its post-scarcity amenities by planning and automatizing society (controlling day-to-day administration with mere fractions of their mental power). The main feature of these Minds — in comparison to extremely powerful artificial intelligences in other fiction — is that the Minds are (by design and by extension of their rational, but 'humanistic' thought processes) generally a very benevolent presence, and show no wish to supplant or dominate their erstwhile creators.
Banks always capitalizes the term in his novels to distinguish it from the more general meaning of 'mind'.
Although the Culture is a type of...
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