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Super Panavision 70 was the marketing brand name used to identify movies photographed with...

Super Panavision 70 was the marketing brand name used to identify movies photographed with Panavision 70 mm spherical optics between 1959 and 1983. During the late 1950s the Hollywood filmmaking community decided that changing from filming in the commonly accepted 35 mm format to 65 mm film would provide viewing audiences with an enhanced visual experience. To this end, cameras begin to be designed to handle 65 mm film stock. The first camera system to be released using this format was Todd-AO, in 1955. The second was MGM Camera 65, a system designed by Panavision, which was introduced in 1956. In 1959 Panavision released the Super Panavision 70 system to compete with these two cameras. Unlike its counterpart Ultra Panavision 70, which used anamorphic lenses, Super Panavision used spherical lenses to create a final aspect ratio of 2.20:1. In 1959, the Walt Disney company was the first studio to release a film, The Big Fisherman, using this process. Some of the films made in Super Panavision 70 were presented in 70 mm Cinerama in selected theaters. Special optics were used to project the 70 mm prints onto a deeply-curved screen to mimic the effect of the original 3-strip Cinerama