Disciples be damned. It's not interesting. It's only the masters that matter. Those who create.
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Once the good man was dead, one wore his hat and another his sword as he had worn them, a third had himself barbered as he had, a fourth walked as he did, but the honest man that he was -- nobody any longer wanted to be that.
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Matisse makes a drawing, then he makes a copy of it. He recopies it five times, ten times, always clarifying the line. He's convinced that the last, the most stripped down, is the best, the purest, the definitive one; and in fact, most of the time, it was the first. In drawing, nothing is better than the first attempt.
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