We do not quite say that the new is more valuable because it fits in; but its fitting in is a test of its value -- a test, it is true, which can only be slowly and cautiously applied, for we are none of us infallible judges of conformity.
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It is obvious that we can no more explain a passion to a person who has never experienced it than we can explain light to the blind.
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The New is not a fashion, it is a value.
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An old thing becomes new if you detach it from what usually surrounds it.
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Always something new, seldom something good.
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The new always carries with it the sense of violation, of sacrilege. What is dead is sacred; what is new, that is different, is evil, dangerous, or subversive.
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Think not forever of yourselves, O Chiefs, nor of your own generation. Think of continuing generations of our families, think of our grandchildren and of those yet unborn, whose faces are coming from beneath the ground.
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The birth of the new constitutes a crisis, and its mastery calls for a crude and simple cast of mind -- the mind of a fighter -- in which the virtues of tribal cohesion and fierceness and infantile credulity and malleability are paramount. Thus every new beginning recapitulates in some degree man's first beginning.
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To the old, the new is usually bad news.
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Americans have been conditioned to respect newness, whatever it cost them.
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The new always happens against the overwhelming odds of statistical laws and their probability, which for all practical, everyday purposes amounts to certainty; the new therefore always appears in the guise of a miracle.