No good opera plot can be sensible, for people do not sing when they are feeling sensible.
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The only way to spend New Year's Eve is either quietly with friends or in a brothel. Otherwise when the evening ends and people pair off, someone is bound to be left in tears.
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If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves. The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Br?nnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.
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A daydream is a meal at which images are eaten. Some of us are gourmets, some gourmands, and a good many take their images precooked out of a can and swallow them down whole, absent-mindedly and with little relish.
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One cannot walk through an assembly factory and not feel that one is in Hell.
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Some writers confuse authenticity, which they ought always to aim at, with originality, which they should never bother about.
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A real book is not one that we read, but one that reads us.
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Murder is unique in that it abolishes the party it injures, so that society has to take the place of the victim and on his behalf demand atonement or grant forgiveness; it is the one crime in which society has a direct interest.
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Perhaps there is only one cardinal sin: impatience. Because of impatience we were driven out of Paradise, because of impatience we cannot return.
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A professor is one who talks in someone else's sleep.
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A verbal art like poetry is reflective; it stops to think. Music is immediate, it goes on to become.
