A widespread taste for pornography means that nature is alerting us to some threat of extinction.
Quotation
Subjects:
Similar topics in Freebase
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Science and technology multiply around us. To an increasing extent they dictate the languages in which we speak and think. Either we use those languages, or we remain mute.
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The American Dream has run out of gas. The car has stopped. It no longer supplies the world with its images, its dreams, its fantasies. No more. It's over. It supplies the world with its nightmares now: the Kennedy assassination, Watergate, Vietnam...
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We live in a world ruled by fictions of every kind -- mass merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer's task is to invent the reality.
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The geometry of landscape and situation seems to create its own systems of time, the sense of a dynamic element which is cinematizing the events of the canvas, translating a posture or ceremony into dynamic terms. The greatest movie of the 20th century is the Mona Lisa, just as the greatest novel is Gray's Anatomy.
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In a completely sane world, madness is the only freedom!
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Hell is out of fashion -- institutional hells at any rate. The populated infernos of the 20th century are more private affairs, the gaps between the bars are the sutures of one's own skull. A valid hell is one from which there is a possibility of redemption, even if this is never achieved, the dungeons of an architecture of grace whose spires point to some kind of heaven. The institutional hells of the present century are reached with one-way tickets, marked Nagasaki and Buchenwald, worlds of terminal horror even more final than the grave.
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I thought it was a wonderfully conceptual act actually, to fire a replica pistol at a figurehead -- the guy could have been working for Andy Warhol!
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Everything is becoming science fiction. From the margins of an almost invisible literature has sprung the intact reality of the 20th century.
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What our children have to fear is not the cars on the highways of tomorrow but our own pleasure in calculating the most elegant parameters of their deaths.
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Given that external reality is a fiction, the writer's role is almost superfluous. He does not need to invent the fiction because it is already there.