History is hard to know, because of all the hired bullshit, but even without being sure of history it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time -- and which never explain, in retrospect, what actually happened.
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When the going gets weird, the weird turn pro
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There is a progression of understanding vis-?-vis pro football that varies drastically with the factor of distance -- physical, emotional, intellectual and every other way. Which is exactly the way it should be, in the eyes of the amazingly small number of people who own and control the game, because it is this finely managed distance factor that accounts for the high-profit mystique that blew the sacred institution of baseball off its national pastime pedestal in less than fifteen years.
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If I'd written all the truth I knew for the past ten years, about 600 people -- including me -- would be rotting in prison cells from Rio to Seattle today. Absolute truth is a very rare and dangerous commodity in the context of professional journalism.
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America is just a nation of two hundred million used car salesmen with all the money we need to buy guns and no qualms about killing anybody else in the world who tries to make us uncomfortable.
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Going to trial with a lawyer who considers your whole life-style a Crime in Progress is not a happy prospect.
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Gonzo journalism is a style of reporting based on William Faulkner's idea that the best fiction is far more true than any kind of journalism -- and the best journalists have always known this. True gonzo reporting needs the talents of a master journalist, the eye of an artist/photographer and the heavy balls of an actor. Because the writer must be a participant in the scene, while he's writing it -- or at least taping it, or even sketching it. Or all three. Probably the closest analogy to the ideal would be a film director/producer who writes his own scripts, does his own camera work and somehow manages to film himself in action, as the protagonist or at least a main character.
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I have a theory that the truth is never told during the nine-to-five hours.
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Myths and legends die hard in America. We love them for the extra dimension they provide, the illusion of near-infinite possibility to erase the narrow confines of most men's reality. Weird heroes and mould-breaking champions exist as living proof to those who need it that the tyranny of the rat race is not yet final.
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Publishers are notoriously slothful about numbers, unless they're attached to dollar signs -- unlike journalists, quarterbacks, and felony criminal defendants who tend to be keenly aware of numbers at all times.
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That was always the difference between Muhammad Ali and the rest of us. He came, he saw, and if he didn't entirely conquer -- he came as close as anybody we are likely to see in the lifetime of this doomed generation.
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