Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many filming techniques used by Man Ray, including Rayographs, double exposures, soft focus and ambiguous features.
Emak-Bakia shows elements of fluid mechanical motion in parts, rotating artifacts showing his ideas of everyday objects being extended and rendered useless. Kiki of Montparnasse (Alice Prin) is shown driving a car in a sc...
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Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many filming techniques used by Man Ray, including Rayographs, double exposures, soft focus and ambiguous features.
Emak-Bakia shows elements of fluid mechanical motion in parts, rotating artifacts showing his ideas of everyday objects being extended and rendered useless. Kiki of Montparnasse (Alice Prin) is shown driving a car in a scene through a town. Towards the middle of the film Jacques Rigaut appears dressed in female clothing and make-up. Later in the film a caption appears
La raison de cette extravagance (The reason for this extravagance)
And it cuts to a car arriving and a passenger leaving with briefcase entering a building, opening the case revealing men's shirt collars which he proceeds to tear in half. The collars are then used a focus for the film, rotating through double exposures.
The film features sculptures by Pablo Picasso, and some of Man Ray's...
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